David Calzado and the Charanga Habanera

Sweaty from the avalanche of rhythmic energy, dancers improvise a chorus for the popular band of violinist and composer David Calzado (born in Havana in 1957).

Since its debut in the Cuban capital in 1993, the band has introduced rap effects, eccentric styles of wardrobe and choreographies that have created change in the aesthetic of dance music.

"I conceive of each performance as a grand extravaganza" says the artist.

His experiences come together on the stage: his studies of the violin at the National Art School, playing with several bands, among them the Ritmo Oriental and Violines de Tropicana, as well as a four-year stint at the Montecarlo Sporting Club in the Principality of Monaco.

"In Monaco I learned from showbiz stars like Barry White, Paul Anka, Tina Turner, Whitney Houston, Frank Sinatra and Shirley Basey, about the importance of the visual effect in concerts.

"I owe the charanga spirit to bands, orchestras and jazz bands that made history in Cuba; to my father's creative work and to the work of violinist and composer Félix Reina, who directed the Estrellas Cubanas band. Those influences have been decisive in my work."

His sound funnels the glow of the island. He recognizes that "my style chronicles daily events. To make Cuban music one has to live here" says Calzado.

When at home, Calzado likes to listen to ballads, soul and classical music, especially Tchaikovsky. "I am nourished by a broad culture, and I'm a dancer. For songs to enter Charanga's repertoire they must move my feet. I always think of the fans and pay attention to suggestions from many composers. For example, one of my most popular songs, "Soy Cubano, soy popular," was born from a collaboration with Adonis Ramos